Putain de série !

The coffee machine of a small company is the scene of discussions between employees. Private life, professional life, gossip, mockery, ... everything goes!

The everyday lives of office employees in the Scranton, Pennsylvania branch of the fictional Dunder Mifflin Paper Company.

Claude Casey moved up in the secretarial world of television news, from temp to the anchor's desk. After her boss hires her full time, Claude realizes she may be in over her head in this world of assistants fighting to get ahead. But Claude is determined to prove that though she may not be perfect, she's not going down without a fight.

Nightmare boss. Tedious colleagues. Pointless tasks. Welcome to Wernham Hogg. Fancy a tea break with David Brent? Classic comedy from the archive.

The follow-up to 'Twenty Twelve' as Ian Fletcher takes up the position of 'Head of Values' at the BBC. His task is to clarify, define, or re-define the core purpose of the BBC across all its functions and to position it confidently for the future, in particular for Licence Fee Renegotiation and Charter Renewal in 2016 and 2017 respectively.

Dilbert, a socially awkward but highly competent engineer, works in a dysfunctional workplace. The series satirizes corporate culture, featuring clueless managers, pointless meetings, bizarre company policies, and the daily frustrations of modern office life.

The comedic misadventures of Roy, Moss, and their grifting supervisor Jen, a 'motley crew' of IT support workers at a large corporation headed by a hotheaded yuppie.

Archie Bunker's Place is an American sitcom originally broadcast on the CBS network, conceived in 1979 as a spin-off and continuation of All in the Family. While not as popular as its predecessor, the show maintained a large enough audience to last for four seasons, until its cancellation in 1983. In its first season, the show performed so well that it knocked Mork & Mindy out of its new Sunday night time slot.

A hilarious workplace comedy about a unique family of employees at a super-sized mega store. From the bright-eyed newbies and the seen-it-all veterans to the clueless summer hires and the in-it-for-life managers, together they hilariously tackle the day-to-day grind of rabid bargain hunters, riot-causing sales and nap-worthy training sessions.

Sharp knives and even sharper tongues! Meet Britain's finest, most short-fused chef, Gareth Balckstock.

Lovebugs, Hormone Monsters and a parade of other creatures juggle romance, workplace drama and their human clients' needs in this "Big Mouth" spinoff.

A sitcom set in the offices of "GlobeLink News" after its acquisition by media mogul Sir Roysten Merchant. Led by editor George Dent, the staff of GlobeLink battle to maintain the company as a serious news organization against Sir Roysten's right-hand man, Gus Hedges, who wants to make the show more sensationalist and suppress stories that might harm Roysten's business empire.

Loving parodies of some of the world's best-known documentaries. Each episode is shot in a different style of documentary filmmaking, and honors some of the most important stories that didn't actually happen.

The series chronicles the personal life (and the wild lifestyle) of Rebecca Wright, a tough-as-nails judge serving on the Los Angeles County Circuit Court, whose time off the bench is spent partying and displaying a reckless behavior. Her reputation is about to be tamed—and judged—by Robby Shoemaker, a eight-year-old boy whose parents Rebecca put behind bars. He might be the one that can turn Rebecca's life around.

The Brittas Empire is a British sitcom created and originally written by Andrew Norriss and Richard Fegen. Chris Barrie plays Gordon Brittas, the well-meaning but incompetent manager of Whitbury New Town Leisure Centre. The show ran for seven series and 53 episodes — including two Christmas specials — from 1991 to 1997 on BBC1. Norriss and Fegen wrote the first five series, after which they left the show. The Brittas Empire enjoyed a long and successful run throughout the 1990s, and gained itself large mainstream audiences. In 2004 the show came 47th on the BBC's Britain's Best Sitcom poll, and all series have been released on DVD. The creators Andrew Norriss and Richard Fegen often combine farce with either surreal or dramatic elements in episodes. For example in the first series, the leisure centre prepares for a royal visit, only for the doors to seal, the boiler room to flood and a visitor to become electrocuted. Unlike the traditional sitcom, deaths were quite common in The Brittas Empire.

When a Cincinnati radio station switches from sedate music to top-40 rock 'n' roll, its staff of oddball characters is forced to switch gears quickly. New programming director Andy Travis brings in a new DJ named Venus Flytrap to work with the station's burned-out veteran, Dr. Johnny Fever. Neurotic newsman Les Nessman, eager beaver Bailey Quarters, sleazy salesman Herb Tarlek, blonde bombshell Jennifer Marlowe, who serves as the station's ultra-capable receptionist, and station manager Arthur Carlson, whose domineering mother owns WKRP, round out the eccentric bunch.

Four women juggle love, careers, and parenthood. They support, challenge, and try not to judge each other as life throws them curveballs. Whether it is an identity crisis, a huge job opportunity, postpartum depression, or an unplanned pregnancy – they face both the good and bad with grace and humour.

The Muppets return to primetime with a contemporary, documentary-style show. For the first time ever, a series will explore the Muppets’ personal lives and relationships, both at home and at work, as well as romances, breakups, achievements, disappointments, wants and desires. This is a more adult Muppet show, for “kids” of all ages.

Nick Cannon and an A-list celebrity lead a team of improv comedians as they compete against each other.

This partially unscripted comedy brings viewers into the squad car as incompetent officers swing into action, answering 911 calls about everything from speeding violations and prostitution to staking out a drug den. Within each episode, viewers catch a "fly on the wall" glimpse of the cops' often politically incorrect opinions, ranging from their personal feelings to professional critiques of their colleagues.